One of the Most Perfect Pictures Ever



Poetry Magazine : November : 2013


Dilruba Ahmed : Snake Oil, Snake Bite

Todd Boss : Rocket

Two from Matthew Nienow : In the Year of “No Work” and Bad Year Anthem

Fady Joudah : Tell Life

Philip B. Williams : Homan and Chicago Ave.

Natalie Shapero : You Look Like I Feel

Szilard Borbely : The Matyo Embroidery

The 5 C’s of Cinematography



Camera Angles

“Camera placement is determined by narrative significance.” 

  • Camera angle refers to the angle at which a camera is positioned when filming. High-angle shots look down on a subject. Low-angle shots aim up at a subject to make the subject appear big and dominant in the screen. Wide shots are used to capture a subject’s surroundings and often are used when establishing a scene. The various angles are chosen to help explore a film’s narrative development.


“Good continuity encourages the viewer to become absorbed in the story-telling, without bothersome distractions. The prime purpose of a motion picture, whether theatrical fiction feature or documentary fact film, is to capture and hold audience attention – from opening shot to final fade-out.”

  • Continuity is the consistency of a film’s static and dynamic elements. A film must flow naturally to make sense to a viewer and shots are recorded avoiding inconsistencies in characters, plot or subject matter. Continuity means that clothing, sets and objects are not suddenly altered between shots in the same scene. It also means that characters sustain consistent personalities and that objects do not suddenly change, appear or disappear.


“Always move players into and out of close-ups to allow cutting on action. It is possible to cut away to anything happening anywhere at any time. Each shot should make a point. All scenes should be linked together so that their combined effect, rather than their individual contents, produces the desired audience reactions.”

  • Cutting is how shots are organized in sequence. It’s important to create a series of shots that flow naturally into each other. This means viewers are unlikely to follow or be affected by a film when its shots do not follow naturally. One example of a cutting technique is cross-cutting. This is when a camera moves from one scene of action to another to show two events taking place simultaneously. Cutting on action is another technique where one shot finishes on an action that leads to the next shot.


  • Closeups are detailed shots of a subject. Small details in these shots appear large on a movie screen. There are different degrees of closeups, including medium closeups and extreme closeups. Over-the-shoulder shots are a type literally filmed over a subject’s shoulder toward another subject, usually done during a conversation. Closeups also move away from the action of a shot to show intimate details of a subject’s emotions or draw attention to specific objects.


“Good composition is arrangement of pictorial elements to form a unified harmonious whole.”

  • Composition refers to how images in a shot are arranged and organized. In other words, composition is the visual order of a shot. This includes how a shot is balanced, or arranged in the frame, to draw viewers’ attention to particular subjects or objects. The space, colors, balance of light and dark and other visual elements are other important aspects of a shot’s composition.