You are currently browsing the monthly archive for January 2013.
Musical directions in Erik Satie’s piano works:
- “Wonder about yourself”
- “Provide yourself with shrewdness”
- “Alone, for one moment”
- “Open the head”
- “Very lost”
- “In a very particular way”
- “Light as an egg”
- “Like a nightingale with a toothache”
- “Moderately, I insist”
- “A little bit warm”
- “Very Turkish”
A perfectly unsettled poem by Sara Miller : Moves in the Field
“My four-year-old daughter handed me a card” is the first line from Shann Ray’s poem on fatherhood Hesperus
SAMUELS: You told Godard that you prefer as often as possible to replace image with sound. Why?
BRESSON: Because the ear is profound, whereas the eye is frivolous, too easily satisfied. The ear is active, imaginative, where as the eye is passive. When you hear a noise at night, instantly you imagine its cause. The sound of the train whistle conjures up the whole station. The eye can perceive only what is presented to it.
- March : The Day of Gifts by Paul Claudel
- April : In Colorado My Father Scoured and Stacked Dishes by Eduardo C. Corral
- October : Game by Laura Kasischke
- December : March by Richard Kenney
- May : And by Rae Armantrout
- January : First Miracle by A.E.Stallings
- February : Flowers by Wendy Videlock
- November : The Visitor by Idra Novey
- September : Wife’s Disaster Manual by Deborah Paredez
- July/August : Note to Reality by Tony Hoagland
- June : The Green Man by W.S. Di Piero
Best of the Reprinted from the Last 100 Yrs:
- Prayer by Robert Creeley
- Not All There by Robert Frost
- A Visit by Marie Ponsot
- Miss Snooks, Poetess by Stevie Smith
“The essential difference between Spider-Man and Batman can be detected in their styles: Spidey’s banter is full of quips and gags, while Batman is always grim and gritty. That Batman’s archnemesis is the Joker is fitting. One who believes that suffering can be abolished through determined human effort has little patience for jokes. To him, humor is an affront. Comedy mocks the vanity of visions of rational control. The person who can joke amidst a confrontation with evil, like the quick-witted Spider-Man, must be reconciled to the permanent imperfections of a corrupted world populated by fallen creatures.”
-Travis Smith, via
- Any movie viewed in the year 2010 that I haven’t seen before qualifies for the list.
- I balance artistic merit with a swinging good time.
- In order of importance I rank artistic brilliance, “re-view-ability”, and then “a swinging good time”.
- I do twelve top movies. Consider it cinema calendrics.
- I never agree with my rankings three months down the road, but this list is at least a first impression ranking.
1. The Master (2012) Paul Thomas Anderson
The Master is in a class all by itself. Rich, rewarding, complex, and a delight to watch. PT Anderson is our most talented director. The story follows Freddie, an aimless ex-soldier, who latches onto a cult leader and tries to learn how to re-enter society.
2. “The Separation of Nader from Simin” aka A Separation (2011) Asghar Farhadi
At first this film seems very small and focused, but as the tale continues it grows, expanding on its theme, reaching a number of issues as it spirals out of control for the principle characters. Heartbreaking.
3. “Ivan’s Childhood” (1962) Andrei Tarkovsky
It’s difficult to do a war movie that can give a full view of life, while also robbing war of its glory. Tarkovsky is able to do that and more.
4. “Knife in the Water” (1962) Roman Polanski
Knife in the Water is wound about as tight as possible. It is the ultimate bottle episode with three characters on a boat: a husband, a wife, and a hitchhiker with a knife.
5. “I Wish” (2011) Hirokazu Koreeda
Hirokazu Koreeda has rapidly become one of my favorite filmmakers filling the hole left by the death of Edward Yang. “I Wish” is a sort of parent-trap except in the place of saccharine tripe he provide transcendent glory.
6. Tinker Tailor Soldier Spy (2011) Tomas Alfredson
I admit that my appreciation of TTSS is foremost technical. Rigorously put together and subtle. I appreciate a genre movie that subverts its tropes; in this case a Spy movie which is in desperate need of reinvention. Gary Oldman should’ve won all of the Oscars for his work. The reward for paying attention to the slightest of elements will be rewarded.
7. Broadcast News (1987) James L. Brooks
My crush on Holly Hunter was totally justified (again) in this parody come true movie on the “news”. Loads of fun. I wrote more about BN here.
8. Moonrise Kingdom (2012) Wes Anderson
While I’m not the biggest Wes Anderson fan I enjoyed his juvy take on Pierrot le Fou. His unique aesthetics, penchant for wonky characters and his relentless cinematic symmetry makes for an enjoyable romp.
9. Take Shelter (2011) Jeff Nichols
Psychological horror is an under utilized, but powerful arm of films that doesn’t seem to be used much today. Take Shelter is a terrifying entry of a man who may or may not be losing his mind.
10. Certified Copy (2010) Abbas Kiarostami
This movie isn’t going to set the world on fire, but I was impressed at how it pulled its viewers in and made an intellectual conversation on love and identity so personal.
11. Meek’s Cutoff (2010) Kelly Reichardt
Meek’s Cutoff is a terse drama about a trek across the Oregon Tail gone sideways. True Grit by way of Days of Heaven.
12. The Grey (2011) Joe Carnahan
I prefer my nihilism in a bleak Alaskan wasteland. A No Country For Old Men with wolves.
Career Girls, Naked, Another Year : Mike Leigh is good for your soul. Lawrence of Arabia is in my top 3 of films prominently featuring sand; second only to Woman in the Dunes (above Casa de Areia. House of Sand and Fog didn’t feature enough sand). Fanny & Alexander, the five hour version was resplendent and wonderful and is bound to ascend in my estimation upon further review. Margin Call was really smart and compelling. Robert Zemeckis is a guilty pleasure of mine and his films Contact and Flight were flawed but well worth your eyes. Of the cartoons I watched this year Drive and Attack the Block were easy fun. Hot Rod and Damsels in Distress were silly and worthwhile. And for the nerds John Carter and The Avengers were sugary exciting sweetness.