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January

Ode to the Steambox by Matthew Nienow

[the shortlist]

Best Line:

That arch and bridge
will form a shape of repentance.
-Fanny Howe from Three Persons

February

The Last Time I Slept in This Bed by Sara Peters

[the shortlist]

Best Line:

The poetry of the earth never ceases
Ceasing
-Dan Beachy-Quick from The Cricket and the Grasshopper

March

Sonnet by Anthony Opal

[the shortlist]

Best Line:

Across the road our neighbor starts his truck
while God, feather by feather, downs a wren
-Bruce Snider, Devotions

April

A Chair in Snow by Jane Hirshfeild

[the shortlist]

Best Line:

I’d love to be the silk-shimmer

against the curve of anyone’s arm
-Jamaal May from Hum for the Bolt

May

The Day by Geoffrey Brock

[the shortlist]

Best Line:

Now the lovers’ mouths are open-
maybe the miracle’s about to start
-Peter Coal from Song of the Shattering Vessels

June

june2013_cover_360

Landays translated by Eliza Griswold

July/August

A Thank-You Note by Michael Ryan

[the shortlist]

Best Line:

We kiss on lips, where the tenses attach.
-Christina Davis from Mankindness

September

Thicket by Atsuro Riley

[the shortlist]

Best Line:

dark furlings of
tiny church feelings
-Meghan O’Rourke from  Sun In Days

October

Summer by Heather Christle

[the shortlist]

Best Line:

Water skips
undressed
over outcrops
-Tom Pickard from Prologue

November

Snake Oil, Snake Bite by Dilruba Ahmed

[the shortlist]

Best Line:

in the earth a corpse snapped
God’s rope
-Fady Joudah from Tell Life

December

Trying Fourleggedness by Rebecca Hazelton

[the shortlist]

Best Line:

I was like you once, he added, in love with turbulence.
-Louise Gluck from Aboriginal Landscape

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Always tempted to make a top ten list of Ange Mlinko’s extensive vocab. Some more gems in Epic.

Eileen Myles’ Prophesy is crass and necessarily so.

It’s uncivil of me to suggest, but Alex Dimitrov’s poem Together and by Ourselves is much better if you start in the middle: from “we must have been lonely people…”

A devious, but wonderful poem, Rebecca Hazelton : Trying Fourleggedness

Tomas Q. Morin evokes quite a lot in Nature Boy

Michael Dickman : Where We Live

Both poems by Patricia Lockwood are full of biting humor and dark forboding: Government Spending and The Hypno-Domme Speaks, and Speaks and Speaks

You must always read Rae Armantrout with interest: Geography

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Dilruba Ahmed : Snake Oil, Snake Bite

Todd Boss : Rocket

Two from Matthew Nienow : In the Year of “No Work” and Bad Year Anthem

Fady Joudah : Tell Life

Philip B. Williams : Homan and Chicago Ave.

Natalie Shapero : You Look Like I Feel

Szilard Borbely : The Matyo Embroidery

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Mulberry Lines for painting on grains of rice : Craig Arnold

Personally Engraved : Alice Fulton

Summer : Heather Christle

Most People Would Rather Not & Growing a Bear : Hannah Gamble

 

 

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Nate Klug on Milton’s God

Atsuro Riley is the best least-well-known poet writing today: Thicket

I really like the folding of Rilke that George Kalogeris does in Rilke Rereading Holderlin

Maureen N. McLane : Best Laid

Eliza Griswold : Water Table

Carrie Fountain : Burn Lake

Delightful surprises in Zachary Schomburg’s The One About the Robbers

Henry Wadsworth Longfellow’s “The Psalm of Life”:

Life is real! Life is earnest!
And the grave is not the goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.

E. E. Cummings, 26 from No Thanks:

what does little Ernest croon
in his death at afternoon?
(kow dow r 2 bul retoinis
wus de woids uf lil Oinis

T. Alan Broughton
1936-2013

Sweet love, I love the earth
because it brought you here
where seasons imitate
the losses we must live.
The first and only person in your flesh
since the world began bends
to admire that budding crocus,
then walks to me through shade and light
to shape this passing hour.

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The 4th section of Christina Davis’ Mankindness.

Phillis Levin : Lenten Song

A brutal but wonderful A Thank-You Note by Michael Ryan

The 4th section of James Longenbach’s Allegory

A Waffle House makes an appearance in Wilmer Mills’ Double Vision

 

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Peter Cole provides many pleasures in Song of the Shattering Vessels

Rick Barot : Tarp

Excellent use of microscoping and telescoping time by Geoffrey Brock in The Day

The Breastplate of Marie Ponsot : Private and Profane

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Anselm Hollo
1934-2013

the way
the blue room
(remembered)
lights up

as you turn to
be held
and to hold me

your
beholder

Stephen Stepanchev : For Jane

Adam Kirsch is quite smug and condescending to his subjects in his recent poems, but at least the Revolutionaries, 1929 probably deserved it.

A powerful poem on betrayal by Gwyneth Lewis : Fooled Me for Years with the Wrong Pronouns

Jane Hirshfield : A Chair in Snow

Randall Mann : Nothing

Two poems by Dean Young that are full of treasures : Everyday Escapees and Emerald Spider Between Rose Thorns

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Douglas Kearney : The Labor of Stagger Lee: Boar

Rachel Jamison Webster writes a thrilling poem about purpose and pregnancy in Dolphins at Seven Weeks.

Like any good sonnet Anthony Opal’s “Sonnet” is full of lots.

Amit Majmudar : Save the Candor

It is important to read Rae Armantrout: Loop and The Eye

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