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Jisas, yu holem hand blong mi
Tekem long blong mi antrane quaia for yu
Hitlas huayebe gusa ki
long lis hala waala conyi kaiai for yu – hee eeh
Jisas, yu canda yira huu-huu-huu
hinte querri hissa huu-huu-huu
Fracissas ni canda hirla huu-huu-huu
hinte querri hissa
Bolwa yu candai quero yu
for sethe santayu for ya-for sis for mi
Wosre yu rere hi for her
rara efisuah en gus rasor
Jisas, yu canda yira huu-huu-huu
hinte querri hissa huu-huu-huu
fracissas ni canda hirla huu-huu-huu
hinte querri hissa
Jesus is watching over me;
Wherever I may go he is right beside me;
Jesus is watching over me;
No matter what I do his love will never cease;
My saviour and my keeper beside me;
All the blessings he has provided me;
He is there to comfort and guide me;
And his love will never cease.
“To The Wonder makes Tree of Life look like Transformers.” -Ben Affleck
- “Now Now” Written by Anne Clark Performed by St. Vincent
- “Quadrospazzed” Written and Performed by Thee Oh Sees
- “Fratres for Eight Cellos” Composed by Arvo Part Performed by Hungarian State Opera Orchestra Conducted by Tamas Benedek
- “Harold in Italy, Op. 16, II.” Composed by Hector Berlioz Performed by The San Diego Symphony Orchestra Conducted by Yoav Talmi
- “Parsifal: Prelude to Act One” Composed by Richard Wagner Performed by Hanan Townshend
- “Parsifal: Prelude to Act One” Composed by Richard Wagner Performed by The Mariinsky Orchestra Conducted by Valery Gergiev
- “Die Jahreszeiten (The Seasons), H0B.XXI;3? Composed by Franz Joseph Haydn Performed by Mozarteum Orchestra Conducted by Ivor Bolton
- “Ancient Airs and Dances, Suite No. 2, P.138? Composed by Ottorino Respighi Performed by Ireland National Symphony Orchestra Conducted by Rico Saccani
- “June (Barcarolle)” Performed by Morton Gould at The Piano Arranged and Conducted by Morton Gould Composed by Piotr Ilich Tchaikovsky
- “Ou Tu T’Endors” Written by Michael Tuccio Performed by Ishtar Alabina
- “Symphony No. 9 in E Minor ‘From the New World’, Op. 95” Composed by Antonin Dvorak Performed by the Bartlesville High School Band
- “Miss Mary Mack” Traditional
- “Symphony No. 3, Op. 36, ‘Symphony of Sorrowful Songs’ – II. Lento Cantabile Semplice” Composed by Henryk Gorecki Performed by Polish National Radio Symphony Orchestra Conducted by Antoni Wit
- “Symphony No. 3, Op. 36, ‘Symphony of Sorrowful Songs’ – III. Lento – Sostenuto Tranquillo Ma Cantabile” Composed by Henryk Gorecki Performed by Polish National Radio Symphony Orchestra Conducted by Antoni Wit
- “Unto Us A Child Is Born; Alleluia (From Christmas Cantata No. 142)” Written by J.S. Bach Performed by Hanan Townshend
- “Cantus Arcticus, Op. 61, ‘Concerto for Birds and Orchestra’: III. Joutsenet Muuttavat (Swans Migrating)” Composed by Einojuhani Rautavaara Performed by Royal Scottish National Orchestra
- “Les Saisons (The Seasons), Op. 37b-June:Barcarolle” Composed by Pyotr Ilyich Tchaikovsky Performed by llona Pruyni
- “Piano Concerto No. 2 in F Major, Op. 102” Composed by Dmitry Shostakovich Performed by New Zealand Symphony Orchestra Conducted by Christopher Lyndon-Gee
- “The Isle of the Dead, Op. 29? Composed by Sergei Rachmaninov Performed by Royal Philharmonic Orchestra Conducted by Enrique Batiz
- “Cosmic Beam Drone # 1” Written and Performed by Francesco Lupica
- “Cosmic Beam Take 1” Written and Performed by Francesco Lupica and Lee Scott
- “Cosmic Beam Take 5” Written and Performed by Francesco Lupica and Lee Scott
- “Troops Advance” Written and Performed by Francesco Lupica and Lee Scott
- “McKron Freaks” Written and Performed by Francesco Lupica and Lee Scott
- “Prophecy of the Village Kremna” Written and Performed by Arsenije Jovanovic
- “The Medusa Song” Written and Performed by Tatiana Chiline
- “So Go” Written by Lauren Marie Mikus Performed by Lauren Marie Mikus and Hanan Townshend
- “The Little Grey Wolf” Traditional Performed by Olga Kurylenko
- “Bartlesville Fight Song” Performed by the Bartlesville High School Band
- “Lahaul Valley” Composed and Performed by David Parsons
See also: Music from the Tree of Life.
Though perhaps a little overly taken by Beethoven and period instruments this list is extremely helpful in building a healthy library of music, despite its severe lack of sacred music. Click the above link for his write up of the recording details.
ORCHESTRAL, CHORAL, VOCAL & INSTRUMENTAL
BACH
Concerto for two violins; Paris SO; Avid Records
BARBER
Knoxville: Summer of 1915; Dumbarton Oaks Orch; Sony
BEETHOVEN
Symphony No 3 (Eroica); BBCSO; Barbirolli Society
Symphonies Nos 5 and 7; Philharmonia Orch; EMI
Beethoven Symphony No 9 (Choral); Bavarian Radio SO; Philips
Violin Concerto; Berlin PO; Dutton
Piano Concerto No 3; NBC Orch; Naxos Historical
Piano Concerto No 5 (Emperor); Staatskapelle Dresden; Philips
Piano Trio in B flat (Archduke); EMI
Piano sonatas; Philips
String Quartets; Harmonia Mundi
BERLIOZ
Nuits d’été; Deutsches SO; Harmonia Mundi
Symphonie fantastique; Berlin PO; CBS.
BRAHMS
Symphonies Nos 1-4; Scottish Chamber Orch; Telarc
Piano Concerto No 2; NBC Orch; Naxos Historical
BRITTEN
Serenade for tenor, horn and strings; Boyd Neel String Orch; Decca
War Requiem; LSO and ECO; Decca
BRUCH
Violin Concerto No 1; LSO; Avid Records
BRUCKNER
Symphonies Nos 7 and 9; Berlin PO; DG
Symphony No 8; Vienna PO; DG.
CHOPIN
Artur Rubinstein; RCA
DEBUSSY
La mer; Cleveland Orch; Decca
DELIUS
Brigg Fair, Appalachia, Hassan; LPO; Naxos Historical
DVORAK
Cello Concerto; Jacqueline du Pré, BBC Legends
Symphony No 9 (New World); Hallé; Hallé label
ELGAR
The Dream of Gerontius; Hallé Orch; EMI
Symphonies Nos 1 and 2; LSO; EMI
Enigma Variations; LPO Live
Violin Concerto; LSO; EMI
Cello Concerto; LSO; EMI
HANDEL
Messiah; Toronto SO; EMI
Water Music and Fireworks Music; Minnesota Orch; MMG
HAYDN
Paris Symphonies Nos 82-87; Concentus Musicus Wien; Deutsches Harmonia Mundi
Symphonies Nos 96-99; Royal Concertgebouw; Teldec
Symphonies Nos 102 and 103; Chamber Orch of Europe; DG
London Symphonies; Austro-Hungarian Haydn Orch; Nimbus
MAHLER
Das Lied von der Erde; Vienna PO; Decca
Mahler Symphony No 9; Berlin PO; EMI
Mahler Symphony No 10; Berlin PO; EMI.
MOZART
Symphonies Nos 40 and 41; Staatskapelle Berlin; DG
Piano Concertos Nos 22 and 27; Scottish Chamber Orch; Philips
Four Horn Concertos; Philharmonia; EMI
Sinfonia Concertante for violin and viola; LPO; BBC
String Quartets K465 and K590; Nimbus
Clarinet Quintet; Musical Fidelity
RACHMANINOFF
Piano Concerto No 2; Philadelphia Orchestra; RCA
Rachmaninoff Symphonic Dances, The Bells; WDR SO; Profil
RAVEL
Daphnis et Chloé; Boston SO; Philips
SCHUBERT
Piano Trio No1 in B flat; Cortot, Thibaud and Casals; Avid Records
Piano Quintet in A (‘Trout’); Artur Schnabel (piano), three of the Pro Arte Quartet, and Claude Hobday (double bass); Avid Records
Four piano sonatas including B flat (D 960); Alfred Brendel; Philips
Piano Sonata in D (D 850); Clifford Curzon; Decca
String Quintet; Hyperion
Winterreise; Dietrich Fischer-Dieskau and Gerald Moore; EMI
Symphony No 9 in C major; LPO; EMI
SCHUMANN
Piano Concerto and Carnaval; Myra Hess; Dutton
SHOSTAKOVICH
Symphony No 7; Royal Concertgebouw Orch; RCO
Symphony No 10; Cleveland Orch; Decca
Cello Concertos Nos 1 and 2 LSO; DG
Complete String Quartets; Borodin String Quartet; EMI
SIBELIUS
Sibelius symphonies; Boston SO and LSO; Philips
Violin Concerto; Philharmonia Orch; Dutton
STRAUSS
Four Last Songs; Berlin PO; DG
Ein Heldenleben; Chicago SO; RCA
TCHAIKOVSKY
Symphony No 6; Mariinsky (Kirov) Orch; Philips
Piano Concerto No 1; NBCSO; Naxos Historical
Violin Concerto; National SO; Dutton
TIPPETT
A Child of Our Time; CBSO; Collins
VAUGHAN WILLIAMS
Symphony No 5; LPO; Somm
A London Symphony; Hallé Orch; EMI
Serenade to Music; BBCSO; EMI
VERDI
Requiem; La Scala Orch; EMI
WALTON
Belshazzar’s Feast; Philharmonia Orch; EMI
Symphony No 1; Philharmonia Orch; EMI
Violin Concerto; Philharmonia Orch; EMI
We Don’t Eat : James Vincent McMorrow
If this is redemption, why do I bother at all
There’s nothing to mention, and nothing has changed
Still I’d rather be working at something, than praying for the rain
So I wander on, till someone else is saved
I moved to the coast, under a mountain
Swam in the ocean, slept on my own
At dawn I would watch the sun cut ribbons through the bay
I’d remember all the things my mother wrote
That we don’t eat until your father’s at the table
We don’t drink until the devil’s turned to dust
Never once has any man I’ve met been able to love
So if I were you, I’d have a little trust
Two thousand years, I’ve been in that water
Two thousand years, sunk like a stone
Desperately reaching for nets
That the fishermen have thrown
Trying to find, a little bit of hope
Me I was holding, all of my secrets soft and hid
Pages were folded, then there was nothing at all
So if in the future I might need myself a savior
I’ll remember what was written on that wall
That we don’t eat until your father’s at the table
We don’t drink until the devil’s turned to dust
Never once has any man I’ve met been able to love
So if I were you, I’d have a little trust
Am I an honest man and true
Have i been good to you at all
Oh I’m so tired of playing these games
We’d just be running down
The same old lines, the same old stories of
Breathless trains and, worn down glories
Houses burning, worlds that turn on their own
So we don’t eat until your father’s at the table
We don’t drink until the devil’s turned to dust
Never once has any man I’ve met been able to love
So if I were you my friend, I’d learn to have just a little bit of trust
Little tornado
Bane of the trailer park
Lifting houses
To leave your mark
Little tornado
Noah can build his ark
But he will never
Disembark
Make it go faster
Baby go faster
Make it go twice the speed
Of you and me
Litter tornado
You and the hurricane
Close your eyes and
go campaign
Make it go faster
Baby go faster
Make it go twice the speed
Of you and me
Oh, no, no we don’t
No, we don’t know
Oh, no, no we don’tNo, we don’t knowOh, no, no we don’t
No, we don’t know
Little tornado
Blew out the window pane
Left the inside
To the rain
Make it go faster
Baby go faster
Make it go twice the speed
Of you and me
I found a little plot of land
in the garden of Eden
it was dirt and dirt is all the same
I tilled it with my two hands
and I called it my very own
There was no one to dispute my claim
Well, you’d be shocked at the state of things
The whole place had just cleared right out
It was hotter than hell, so I lay me by a spring
For a spell as naked as a trout
The wandering eye that I have caught
Is as hot as a wandering sun
But I will want for nothing more, in the garden
To start again
In the hardening of every new heart but one
Meet me in the garden of Eden,
Bring a friend, we are going to have a time
We have are going to have a garden party,
It’s on me, no sir-e, it’s my dime
We broke out hearts in the war between
St. George and the dragon
But both in equal parts are welcome to come along
To come along, I’m inviting everyone
Farewell, to loves that I have known
Even muddiest as waters run
Tell me what is meant by sitting alone in a garden,
Seceded from the Union in the year of A.D. 1
The unending amends you made
Are enough for one life, be done
I believe in innocence, little darling, start again
I believe in everyone
I believe, regardless, I believe in everyone
“Malick’s unconcern for reality and coherence is more artistically and emotionally profound for its fidelity to real human lives than the films made by the younger generation of post-surrealist directors like David Fincher, Darren Aronofsky, and Christopher Nolan, who also make consciousness and cognition the subject of their films. We should bless this younger generation for keeping the avant-garde from becoming totally irrelevant in our blockbuster age. Yet as ground breaking as such films as Memento, Inception, Fight Club, Requiem for a Dream, and The Black Swan prove to be, such films divorce the imagination from reality with a hallucinatory savagery. By contrast, Tree of Life, in its reverence for nature and its fidelity to human decency and simplicity, proves itself a film full of grace, a rare compendium of the searching mind and soul both displaying and inviting contemplation on the order of things in the manner of an earlier generation of directorial luminaries–Tarkovsky, Bresson, Resnais, Antonioni, Bergman, Kubrick, and occasionally even Godard most prominently among them.”
It’s a war on war
It’s a war on war
It’s a war on war
It’s a war on war
It’s a war on war
It’s a war on war
It’s a war on war
There’s a war on
You’re gonna lose
You have to lose
You have to learn how to die
Just watching the miles flying by
Just watching the miles flying by
You are not my typewriter
But you could be my demon
moving forward through the flaming doors
You have to lose
You have to learn how to die
if you want to want to be alive, okay?
You have to lose
You have to lose
You have to learn how to die
if you want to want to be alive
You have to die
You have to die
You have to learn how to die
if you want to want to be alive, okay?
You always hurt the one you love,
The one you shouldn’t hurt at all.
You always take the sweetest rose,
And crush it till the petals fall.
You always break the kindest heart,
With a hasty word you can’t recall.
So, if I broke your heart last night,
It’s because I love you most of all.
And after the storm,
I run and run as the rains come
And I look up, I look up,
on my knees and out of luck,
I look up.
Night has always pushed up day
You must know life to see decay
But I won’t rot, I won’t rot
Not this mind and not this heart,
I won’t rot.
And I took you by the hand
And we stood tall,
And remembered our own land,
What we lived for.
And there will come a time, you’ll see, with no more tears.
And love will not break your heart, but dismiss your fears.
Get over your hill and see what you find there,
With grace in your heart and flowers in your hair.
And now I cling to what I knew
I saw exactly what was true
But oh no more.
That’s why I hold,
That’s why I hold with all I have.
That’s why I hold.
I will die alone and be left there.
Well I guess I’ll just go home,
Oh God knows where.
Because death is just so full and mine so small.
Well I’m scared of what’s behind and what’s before.
And there will come a time, you’ll see, with no more tears.
And love will not break your heart, but dismiss your fears.
Get over your hill and see what you find there,
With grace in your heart and flowers in your hair.
And there will come a time, you’ll see, with no more tears.
And love will not break your heart, but dismiss your fears.
Get over your hill and see what you find there,
With grace in your heart and flowers in your hair
Click here for the lyrics of Low Anthem’s masterpiece “Charlie Darwin”
