You are currently browsing the monthly archive for August 2011.
Show them ferocity
swinging my broadsword all day
my loincloth bristling.
Chicks in chainmail love
my buttery pectorals
in eye-popping 3D
Hair: long and flowing
Chest: torqued and rippled
Mind: tortured at the thought of loss
If Captain America is so great then why is he still a captain?
Five Star General America, that’s a hero.
Captain America is a great recruiting tool. I just signed up for those butterscotch pecs.
I’m glad that Red Skull ripped off that Hugo Weaving mask. It was scaring the kids.
Speaking of Hugo Weaving masks, can we all just agree to chip in and buy Tommy Lee Jones one?
It was a little awkward when that Harley Davidson commercial showed up, but the Captain just went with it.
It’s cool that Cap throws his shield. He’s like, “Ya knows what’s a great idea? Projectiles.”
Hawkeye is going to feel like a sucker when his arrows don’t come back to him. Cap and Thor will just laugh and laugh.
A modern day Captain America would be terrible. What would he throw? His night goggles?
The real heroes are of course the soldiers who don’t have big gays abs.
“When Chris Evans first took his shirt off on the set of Captain America, I just instinctively grabbed his man boob. They kept it in the film. So we did a couple of takes of me being really inappropriate with my hand on his pec for the duration of the scene.”
“Malick’s unconcern for reality and coherence is more artistically and emotionally profound for its fidelity to real human lives than the films made by the younger generation of post-surrealist directors like David Fincher, Darren Aronofsky, and Christopher Nolan, who also make consciousness and cognition the subject of their films. We should bless this younger generation for keeping the avant-garde from becoming totally irrelevant in our blockbuster age. Yet as ground breaking as such films as Memento, Inception, Fight Club, Requiem for a Dream, and The Black Swan prove to be, such films divorce the imagination from reality with a hallucinatory savagery. By contrast, Tree of Life, in its reverence for nature and its fidelity to human decency and simplicity, proves itself a film full of grace, a rare compendium of the searching mind and soul both displaying and inviting contemplation on the order of things in the manner of an earlier generation of directorial luminaries–Tarkovsky, Bresson, Resnais, Antonioni, Bergman, Kubrick, and occasionally even Godard most prominently among them.”
1. Zhaghzhagh (Persian)
The chattering of teeth from the cold or from rage.
2. Yuputka (Ulwa)
A word made for walking in the woods at night, it’s the phantom sensation of something crawling on your skin.
3. Slampadato (Italian)
Addicted to the UV glow of tanning salons? This word describes you.
4. Luftmensch (Yiddish)
There are several Yiddish words to describe social misfits. This one is for an impractical dreamer with no business sense. Literally, air person.
5. Iktsuarpok (Inuit)
You know that feeling of anticipation when you’re waiting for someone to show up at your house and you keep going outside to see if they’re there yet? This is the word for it.
6. Cotisuelto (Caribbean Spanish)
A word that would aptly describe the prevailing fashion trend among American men under 40, it means one who wears the shirt tail outside of his trousers.
7. Pana Po’o (Hawaiian)
“Hmm, now where did I leave those keys?” he said, pana po’oing. It means to scratch your head in order to help you remember something you’ve forgotten.
8. Gumusservi (Turkish)
Meteorologists can be poets in Turkey with words like this at their disposal. It means moonlight shining on water.
9. Vybafnout (Czech)
A word tailor-made for annoying older brothers—it means to jump out and say boo.
10. Mencolek (Indonesian)
You know that old trick where you tap someone lightly on the opposite shoulder from behind to fool them? The Indonesians have a word for it.
11. Faamiti (Samoan)
To make a squeaking sound by sucking air past the lips in order to gain the attention of a dog or child.
12. Glas wen (Welsh)
A smile that is insincere or mocking. Literally, a blue smile.
13. Bakku-shan (Japanese)
The experience of seeing a woman who appears pretty from behind but not from the front.
14. Boketto (Japanese)
It’s nice to know that the Japanese think enough of the act of gazing vacantly into the distance without thinking to give it a name.
15. Kummerspeck (German)
Excess weight gained from emotional overeating. Literally, grief bacon.
Painter Alexander Pylyschenko, who owns a small private zoo in Ukraine, stayed inside a cage with a pregnant lioness Katya for 5 weeks to help her deliver the cub.
“I know what you’re saying with the lens flares. It was one of those things… I wanted a visual system that felt unique. I know there are certain shots where even I watch and think, “Oh that’s ridiculous, that was too many.” But I love the idea that the future was so bright it couldn’t be contained in the frame.
The flares weren’t just happening from on-camera light sources, they were happening off camera, and that was really the key to it. I want the sense that, just off camera, something spectacular is happening. There was always a sense of something, and also there is a really cool organic layer thats a quality of it. They were all done live, they weren’t added later. There are something about those flares, especially in a movie that can potentially be very sterile and CG and overly controlled. There is something incredibly unpredictable and gorgeous about them. It is a really fun thing. Our DP would be off camera with this incredibly powerful flashlight aiming it at the lens. It became an art because different lenses required angles, and different proximity to the lens. Sometimes, when we were outside we’d use mirrors. Certain sizes were too big… literally, it was ridiculous. It was like another actor in the scene.”
“The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.” -Banksy